![]() A fourth delay is a digital bucket-brigade delay (BBD) for analog-style effects. The Pro 2’s delay section provides three digital delays with pan, and high-pass and low-pass filtering controls. Delays, Envelopes, LFOs, Arpeggiator, and a Multitude of Modulation Some of the many parameters that can be sent to the CV outputs include oscillators, LFOs, envelopes, and sequencer tracks, making the Pro 2 a natural choice for the center of your studio or live setup. Control voltages can be assigned and routed from within the modulation matrix and can run at audio rates for extreme modulation effects. The Pro 2’s flexible architecture opens the door to not only processing external audio, but also to interfacing with modular synths through its 4 rear-panel control voltage inputs and outputs and a dedicated gate output. Sequence tracks can control any parameter in the Pro 2’s extensive modulation matrix. It also syncs to MIDI clock and external audio input. With up to 32 steps and 16 tracks, it provides real-time input, rests, and variable-length sequences. One of the most exciting features of the Pro 2 is its sequencer-possibly the most powerful step sequencer ever designed for a synth. Two of the four oscillators can be routed through Filter 1 with the other two routed through Filter 2 for a broad range of tonal possibilities. The two filters function in either serial or parallel, or anywhere in between. Filter 2 is a state-variable design inspired by the Oberheim SEM and can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. Filter 1 is a 4-pole low-pass design inspired by the original Prophet-5 filter. Two New Filters Based on Vintage DesignsĪt the heart of the Pro 2’s gutsy sound is its all-new dual filter design. A set of Character controls adds high and low frequency boost, bit and sample rate reduction, and tape saturation emulation to the Pro 2’s sonic palette. ![]() The oscillators produce both classic and complex wave shapes and can frequency and amplitude modulate each other in any operator and modulator configurations you choose for harmonically-rich FM and AM sounds. It boasts four high-resolution digital oscillators, plus a sub oscillator. The Pro 2 is a fusion of classic analog synthesizer design and cutting-edge digital technology. ![]() It raises the bar for monosynths and redefines the word “fat.” A New Classic for a New Generation Nothing else sounds like it and nothing else performs like it. if any of your other keyboards can supply these CVs then you should be able to control your Pro One directly from another keyboard without the need of a MIDI to CV converter.Įmail for options that include MIDI kits and enhancements to your Pro One's on-board sequencer and arpeggiator.The Pro 2 is Dave Smith’s flagship mono synth, and as Dave himself puts it, his “most powerful mono synth ever.” The Pro 2 shares the same exceptional ergonomics and playability as its 12-voice sibling, the Prophet 12, but carves out distinctly different sonic territory with an all-new dual analog filter architecture, a monster step sequencer, superwaves, digital bucket-brigade delay, and a lot more. The Pro One operations manual states the CV IN requires a 5v GATE and 1 volt/octave CV (0-10v range). However, if you choose to continue to use a membrane switch keyboard, the rubber keystops are the same for all Pro One keyboard, whether J-wire or membrane switch style. ![]() At this time a MIDI to CV converter is the easiest solution to by pass a membrane switch keyboard keyboard and trigger a Pro One. In the past any successful repairs to the troublesome membrane switch contacts were only temporary at best due to the inherent unreliability of the switch design. Although any Pro One can use either a J-wire style or membrane style keyboard, the probability for finding a replacement J-wire keyboard is very unlikely since they only exist in other Pro Ones. ![]()
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